التلاحم النّصيّ والتاريخيّ في شعر ابن سناء المُلك مع النصوص الحماسيّة العباسية

Abstract

This study investigates the manifestations of the Ayyubid epical masterpieces and explores the levels of Intertextuality between the literature of Al-Qudsiat in the Ayyubid era and the literature of Al-Hamasa in the Abbasside era. Moreover, it demonstrates the ability of the Ayyubid scripts to emerge in the Hamasa Abbasid scripts surpassing its original context into a new one in an age full of similarities, victories and approvals.

The poet employs the script of Ibn-Sina’ Al-Mulk as a sample to manifest intertextuality since he had been one of the giants of the Egyptian poets in the Ayyubid era. Furthermore, he immortalizes the Ayyubid victories and invasions.

This study is divided into four main sections in order to unveil the intensity of intertextuality compared with the Hamasa Abbasid scripts that highlight the following:

1. Sayfiyyat Al-Mutanabbi’s intertextuality and his poetic enthusiasm
2. The cultural imagery in the script of Bashar Ibn Burd
3. The total intertextuality in Abu- Altamam’s epical script “Al-Ba’yya”
4. The Abbasid script of praise