Sherazade's Story: Narrative or Cinematic Fiction

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Published Sep 13, 2020
Rym Cherif

Abstract

Art is a language of formations loaded with the artist's own experience, and it involves many criteria such as 'originality', 'fluency' and 'freedom of expression' and other equivalents that work to make artwork the basis of art. Art is a creation of a daydream, consisting of forces that direct the reality of the outside world, rather than heading to the world of dreams. From this perspective, the artist seeks to attract the viewer to his dream in their own way. This unique attraction by the artist is the focus of the current research, which will examine Arabian Nights whose main character is a woman called Shahrazad. Shahrazad seeks to formulate the events of a group of stories that differ in place and time. Her storytelling technique gains depth and wonderful diversity in crafting different themes as every great image shows us one thing that we visualize, along with something else that we perceive with insight. Thus, it combines sight and insight. That is why the narrator of Shahrazad plays on the fantasy element to present to us chapters of the narrative play that will aid Shahrazad to escape death. The stories also depend on the element of love, which is a criterion for adjusting a kind of stories in Arabian Nights.

How to Cite

Cherif, R. . (2020). Sherazade’s Story: Narrative or Cinematic Fiction. AL-Majma, (15), 53–76. Retrieved from http://ojs.qsm.ac.il/index.php/majma/article/view/386

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