Shahryar in the Poetry of Nizar Qabbani: A Study of “Inziyah'” (Shift) Stylization

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Published Sep 13, 2020
Hilal Walid Taha Taha

Abstract

This study focuses on the issue of "Encart" or "Inzy as a semiotic method, which refers to the cultural experience portrayed by the poet Nizar Qabbani, in order to show his intellectual experience, which he presents by taking the woman’s stance in his poetry. According to Qabbani’s poetry, the woman was judged unfairly by the patriarchal society and this judgement is the symbol of "Shahryar". However, in many of his poems, he presents a double encart to the woman’s character that evokes a response that supports the murder of the woman. On the one hand, "Shahryar" is crying, evoking sympathy for her. While on the other hand, Qabbani constructed this character as an independent one, in order to make a stronger stand to stop the patriarchal character.

     The study focused on the two methods of Repetition "Tkrr" and Switching "Iltif, as well as the correlation between them, where repetition is a multiplicity in transition from one pronoun to another. In addition, the study dealt with the aesthetic images, which revealed a poetic features as a result of combination between the eastern poet's culture and the western modernity.

How to Cite

Taha, H. W. T. (2020). Shahryar in the Poetry of Nizar Qabbani: A Study of “Inziyah’” (Shift) Stylization. AL-Majma, (15), 395–414. Retrieved from http://ojs.qsm.ac.il/index.php/majma/article/view/398

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