التّجربة القصصيّة عند سهيل كيوان

Abstract

This article deals with the literary experiment in the works of Sūhīl Kīwān, suggesting a triangular model for understanding Kīwān’s work: 1^st stage - The beginnings stage, 2^nd stage – The transitional stage, 3^rd stage- The final stage. The aim of this research is to construct a semiotic model that can be used to examine similar literary experiments in the Palestinian minority literature in Israel. The article suggests that the transition from one stage to another depends on the conversion of reality and time, alongside the intellectual and cultural knowledge of the writer, the more a writer gets involved in them (reality and time) and his intellectual and cultural knowledge increases, so he can move steadily from one stage to another. The article also examines the semiotic ability of satire and frames it as a major factor in reaching the final stage - the final stage in the literary experiment of Sūhīl Kīwān.