التناص الأسطوري في جدارية محمود درويش

Abstract

Mahmoud Darwish’s Jedaria is an artistic text, where the poet put his outmost solicitude, when he stood like a firm match to the death, describing, dialoging, wrestling, and winning over it.

Because the literature text is like a human being in terms of deep-rooted descents, and because it does not come in vacuum, and does not lead to vacuum, Darwish resorted to hereditary myth; he congregated characters, myths, symbols, and legendary actions, and absorbed them in the body of the Jedaria in a form in which trails of death streamed from Gilgamesh to his last hour.

The research studies Darwish’s stance concerning this human commonness, how he created, harnessed and inserted it in the threshold of the text, strengthened it explicitly and implicitly, secretly, and publicly, which all made this Jedaria establish for a poetic legend, that immortalized the poet, including the epistemic and beauty accouterments.